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Premiere Pro

Premiere Pro

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  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
      1. Translate captions
      2. Generative extend overview 
      3. Generative extend FAQs
      4. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Share for review with Frame.io
    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    4. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    5. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    6. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
      11. Speech to Text
      12. Download language packs for transcription
      13. Working with captions
      14. Check spelling and Find and Replace
      15. Export text
      16. Speech to Text FAQs
    3. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Learn to apply and customize native and plug-in effects in the Audio Track Mixer in Premiere Pro.

Premiere Pro includes audio plug-ins designed to alter or enhance the properties of audio clips. Most of these effects are available for mono, stereo, and 5.1 clips, and can be applied to clips or tracks. 

Audio effects are combined into a single, unified effect and displayed in a flat list inside the Audio Effects folder. When you apply an audio effect, Premiere Pro automatically applies the correct effect type (Mono, Stereo, or 5.1) to that clip. For a list and descriptions of the available audio effects, see Audio effects and transitions.

Certain effects have restrictions, and can be used only on certain track types. (For example, the Balance effect can be applied to stereo tracks only, not mono, or 5.1). The following effects have this restriction:

  • Balance (Stereo only)

  • Channel Volume (Stereo and 5.1 only)

  • Fill Left (Stereo only)

  • Fill Right (Stereo only)

  • Swap Channels (Stereo only)

Note:

Presets for unified audio effects can be created from single or multiple audio effects.

Apply, remove, and bypass audio effects in the Audio Track Mixer

In the Audio Track Mixer, track effect options are controlled after an effect is selected in the Effects and Sends panel. If the Effects and Sends panel is not visible, display it by clicking the Show/Hide Effects and Sends triangle on the left side of the Audio Track Mixer. The Effects and Sends panel contains Effect Selection menus to apply up to five track effects.

Premiere Pro processes effects in the order they are listed and feeds the result of an effect into the next effect in the list. Therefore, changing the order of effects can change the results. Effects applied in the Audio Track Mixer can also be viewed and edited in a Timeline panel.

In the Audio Track Mixer, effect options that change over time can be recorded using the automation options or specified in a Timeline panel by using keyframes.

Note:

If you plan to use the same effect repeatedly, consider conserving system resources by sharing effects through a submix. Create a submix, apply the effect to the submix, and use sends to route tracks to the submix for effects processing. For more information, see Advanced Audio editing.

Apply a track effect

Apply a track effect
Apply a track effect

To apply an effect in the Audio Track Mixer, do the following:

  1. (Optional) To display the Effects and Sends panel in the Audio Track Mixer, click the Show/Hide Effects and Sends triangle at the left of the Audio Track Mixer.

  2. Choose a track you want to apply an effect to. Click the Effect Selection triangle and choose an effect from the menu. For more information, see Audio effects and transitions.

  3. The parameters for the effect appear at the bottom of the Effects and Sends panel. Set the value for the selected parameter. The options available for each effect are different.

  4. Toggle the fx button to apply/remove the effect.

Remove a track effect in the Audio Track Mixer

To remove a track effect, click the triangle to the right of the effect you want to remove, and choose None.

Bypass a track effect in the Audio Track Mixer

To bypass a track effect, toggle the Effects Bypass button near the bottom of the effects list.

Copy and move effects in the Audio Track Mixer

Using the Audio Track Mixer, you can move, copy, and re-order audio track effects. This is useful in scenarios where you want to rearrange effects in the track to change the gain staging and signal flow of the audio.

  1. (Optional) To display the Effects And Sends panel in the Audio Track Mixer, click the Show/Hide Effects And Sends triangle at the left of the Audio Track Mixer.

  2. Select an effect in the Audio Track Mixer. 

  3. To move or copy an individual effect within a track:

    • To move an effect: Select the effect and drag it to a new position within the track.
    • To copy an effect: Select the effect, press Ctrl (Win) or Cmd (macOS) and drag it to a new position within the track.

  4. To move or copy an individual effect between tracks:

    • To move an effect: Select the effect, press Ctrl (Win) or Cmd (macOS) and drag it to another track. 
    • To copy an effect: Select the effect and drag it to another track. A copy of the effect is created.

  5. To copy and paste an entire audio effects rack between tracks, right-click or Ctrl + Click the top of the rack and select Copy Track Effects. Then right-click or Ctrl + Click the top of another rack and select Paste Track Effects.

    The Audio Track Mixer section is open and Copy Track Effects command is highlighted.
    Copy and move effects for consistent audio processing across multiple tracks.

    Pasted audio effects racks include all of the effects and settings of the original track. You can further adjust individual settings in the pasted track effects racks without affecting the other tracks.

Adjust audio track effects in the timeline

You can adjust the fixed audio Track or Panner effects either by manipulating the track keyframes rubber-band, or by using the controls in the Audio Track Mixer.

  1. In a Timeline panel, expand the audio track by double clicking it.

  2. Click the Show Keyframes button , and choose Show Track Keyframes from the menu.

  3. Click the menu at the top left corner of the clip in the audio track (it appears with Track:Volume as the default selection); then choose the effect name and property from the menu. Pre-fader effects appear at the top of the menu; post-fader effects appear at the bottom. Any numbers in the effect names refer to their position in the track effects list, their rendering order.
  4. Use the Pen tool to adjust the level uniformly (if keyframes haven’t been added) or to add or edit keyframes.

Copy and paste track effects in the timeline

You can copy track effects from one section of a track and paste them into another. When pasted, the track effect keyframes land at the location of the current-time indicator. Targeting tracks do not affect the position of the pasted keyframes.

  1. In the Timeline, select one or more track keyframes. To select more than one keyframe, Shift-click on each keyframe.

  2. Select Edit > Copy or Ctrl + C.

  3. Place the current-time indicator at a new location on the audio track.

    Note:

    If the destination audio track is different from the original audio track, make sure the destination audio track is explanded. 

  4. Select Edit > Paste or Ctrl + V.

Note:

Each audio effect includes a bypass option that allows you to turn the effect on or off as specified by the keyframes that you set.

Designate a track effect as pre-fader or post-fader

An effect can be applied pre-fader or post-fader. The difference is whether the effect is applied before or after the application of the track’s fader. Effects are pre-fader by default.

  • Pre-fader delivers the signal out of the mixer before it passes through the channel fader.   Therefore, you can move the volume fader all you want but it's not going to affect the volume going to that auxiliary unit. 
  • Post-fader delivers the signal out of the mixer after it passes through the fader.  Therefore, when you move the volume fader, the aux send volume is equally manipulated. 

In the Effects and Sends panel of the Audio Track Mixer, right-click (Windows) or Control-click (macOS) on an effect and choose Pre-Fader or Post-Fader.

Channelize effects

Effects channelization allows you to create custom layouts of your effects. You can then choose to save your custom layout as a preset, and reuse it. Use this feature if you have multiple audio tracks and you want to apply effects only to a subset of channels.

  1. To modify effects layout, select an effect from the Effect Controls panel and click the Re-map button next to Channel Map. The Clip Fx Editor opens.

  2. Choose Request Layout. The Request Effect Layout window opens.

  3. The new Request Effects layout window allows you to choose the input type. Choose from Mono, Stereo, and 5.1 from the drop-down. 

    Request Effect Layout dialog is open with an option to select an input from the drop-down menu
    Create custom audio channel layouts to control effects applied to specific audio channels.

    Note:

    The output is always follows the input and cannot be changed.

  4. Choose Custom to open Custom Audio Channel Layout and assign or edit Channel Label.

    Custom Audio Channel Layout dialog is open, displaying various channels.
    Customize your audio channel layout by adding and deleting channels.

  5. Use the plus and minus icon shown below to add and remove channels.

    Custom Audio Channel Layout dialog is open, displaying various channels, and the options to add or remove channels are highlighted.
    Customize your audio channel layout for precise control over each audio track.

  6. After you make your changes, save your changes as a preset and reuse it. In the Save Preset dialog box, type in a name for your preset, and click OK.

  7. You can now modify the effect input and effect output for all individual channels.

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