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Hardware recommendations for Premiere Pro and After Effects

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Premiere Pro

Premiere Pro

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  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
      1. Translate captions
      2. Generative extend overview 
      3. Generative extend FAQs
      4. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Share for review with Frame.io
    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    4. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    5. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    6. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
      11. Speech to Text
      12. Download language packs for transcription
      13. Working with captions
      14. Check spelling and Find and Replace
      15. Export text
      16. Speech to Text FAQs
    3. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

This page is a companion document to the system requirements for Premiere Pro and After Effects. It provides additional information on system components and considerations for optimal performance.

For information on After Effects and Multi-Frame Rendering, see Configuring your system below.

 Want a summary of the key information? Click here to download PDF.

Choosing your platform

Premiere Pro and After Effects run equally well on Windows and Apple computers. There will always be differences between different setups since there are many variables in video and motion graphics workflows. However, these can be managed successfully with a sound system, a basic understanding of video formats, and the editing workflow. 

Note:

Premiere Pro and After Effects have native support for Apple silicon systems.

Advantages of macOS

Well-integrated hardware and software with existing configurations to choose from. Generally, for the video, you need a system with at least 16 GB of memory, SSD storage, an Apple silicon system processor, or a fast Intel processor with an AMD graphics card. 

Advantages of Windows

Choice, upgradeability, and often cost savings. You can configure the system to your needs and budget or choose configurations tested with Premiere Pro from Dell, Lenovo, HP, and video workstation specialist companies like Puget Systems.

Windows can be easier to upgrade, meaning a longer lifespan for the system.

Laptop or desktop?

Video editing is demanding and requires powerful processing and fast storage. You can configure these requirements in both desktop and mobile systems. Desktops usually offer more “bang for the buck,” include more configuration options, and are often easier to upgrade.

Laptops have the apparent advantage of portability and can be connected to external displays and augmented with external storage and eGPUs. Laptops may be more expensive relative to the power they offer.

Apple desktops

Current Mac Pros, iMac Pros, M1 iMacs, and Mac Minis with at least 16GB of memory and SSD storage will support video editing workflows.

Apple laptops

MacBook Pro laptops with at least 16GB of memory and SSD storage will support standard video editing, including HD and 4K media.

Windows desktops

Build or choose configurations with a fast multicore CPU, AMD or NVIDIA graphics cards, fast SSD storage, and 32GB or more memory.

Windows laptops

Depending on the model, Windows laptops offer many options for configuring a video editing workstation that meets your needs.

Note:

You can also choose from desktop configurations tested with Premiere Pro from Dell, Lenovo, HP, and video workstation specialist companies like Puget Systems.

How much storage is needed?

Video files are big, so you'll need lots of space. In addition to fast onboard storage, we recommend using at least one fast external storage device as part of your editing workflow (SSD or NVMe with a Thunderbolt or USB 3.1 connection). We recommend an additional large-capacity storage device for archiving completed video projects. 

File size and bit depth

File size

The two most common resolutions for video content today are HD and 4K. Measured in screen pixels (width x height), HD is typically 1920 x 1080and 4K footage is four times larger at 3840 x 2160. 

HD 4k
HD files are smaller, which means they take up less hard drive space, are easier to edit, and are faster to export. Most content on YouTube is still in HD resolution. 
 4K files take up more storage space and require more computing power for playback and export. The advantage of 4K is that you've more detail in your images and more room to crop without losing quality.

Bit depth

Bit-depth refers to the amount of color information contained in a file. 

8-bit video files 10-bit video files
8-bit files are more widely used and are less demanding for video editing.  
 10-bit files require more computing power for playback. You may not notice the difference with the naked eye, but 10-bit files give you much more color detail to work with for more advanced color grading. 

Configuring your system

 The four key variables in building a video workstation are the processor (CPU), memory, graphics (GPU), and storage. A well-equipped high-end system can run Premiere Pro and After Effects well. Understanding how each application uses system resources will help you to build the best system for your needs.

Processors

After Effects and Premiere Pro benefit from 3.2 GHz or higher CPU clock speeds.

With the transition to Multi-Frame Rendering, After Effects can use multi-core CPUs. Starting with After Effects 22.0, users should view immediate performance improvements for previews and exports. After Effects with Multi-Frame Rendering is up to 4x faster on high-end systems. We strongly recommend Core i7 or Core i9 Intel processors or AMD equivalents.

Premiere Pro: For Premiere Pro, eight cores are sufficient. Depending on the task, Premiere Pro runs at 93-98% efficiency with eight cores.

  • At least a Core i7 or Core i9 Intel processor, AMD equivalent, or an Apple silicon system processor. Intel Core i7 and Core i9 (the latest mobile Xeon processors) offer Quick Sync technology, accelerating the decoding or playback of H.264 and HEVC. 
  • Some desktop Intel Xeon processors don't offer QuickSync. These may be better suited for high-end workflows with cinema camera formats (e.g., RED, Sony Venice, ARRI) and broadcast formats (e.g., XDCam HD). 

After Effects: For After Effects 22.0 and later, an 8 or 12-core CPU is a good starting point. For demanding workflows, 32-cores take full advantage of Multi-Frame Rendering.

The amount of memory also impacts how After Effects can use the available CPU cores.

  • AMD Ryzen 7 (8 core) or Ryzen 9 (12 or 16 core) deliver outstanding performance and support 64GB of RAM and higher.
  • For very high-end performance AMD Threadripper (24 or 32 core) or Intel Xeon (24 or 32 core), which support 256GB of RAM and higher
  • For After Effects users also running Premiere Pro, consider Intel Core i7 or Core i9 with Quick Sync hardware acceleration for H.264 and HEVC formats. Use with at least 32GB of memory.

Memory

Premiere Pro: Windows systems or Intel-based Mac video editing workstations should have 32GB of memory or more. For Apple silicon systems, we recommend 16GB of shared memory (currently the maximum available).

After Effects 22.0 or higher: We recommend starting with 64GB of RAM. As a rule of thumb for Multi-Frame Rendering, include 4GB of RAM for each CPU core, add 20GB, and round up to the nearest standard RAM configuration.

Graphics

Premiere Pro and After Effects are engineered to take advantage of the GPU.

Premiere Pro: We recommend a GPU with at least 4GB of memory (VRAM). Multiple GPUs, including eGPUs, will speed up export and rendering in Premiere Pro.

After Effects 22.0 or later: We recommend a GPU with at least 8GB of VRAM. 

Apple silicon systems use shared memory for graphics processing. We recommend Apple silicon systems with at least 16GB of Unified Memory for video editing.

Out-of-date graphics drivers are one of the most common causes of performance issues with video applications. For optimal performance, ensure you've the latest drivers for your GPU, including integrated Intel GPUs. For more information, view GPU and GPU Driver Requirements for Premiere Pro.

Storage

Fast storage is mission-critical for video production, using fast SSD or NVMe storage. Without a fast RAID array, spinning disks don't offer sufficient speed for HD and UHD video.

  • SSD or NVMe flash memory drives 
  • For local storage, an optimal setup uses three drives: 
    • System Drive for OS and apps
    • Drive for the Media Cache - accelerator files, including peak files (.pek) and conformed audio (.cfa). Premiere can make thousands of calls to these files every second). 
    • Media Drive for video assets and other project media

You can use fast external drives for media and Media Cache. You can store Media Cache and Media on the same drive if only two drives are available.

Shared storage: With a fast connection of 10Gps or higher, Premiere Pro and After Effects work well with Network Attached Storage (NAS) systems, including mixed environments with macOS and Windows. With shared storage, the Media Cache should always be stored locally for individual users. 

Upgrading your system

Adding memory is the easiest and, usually, most impactful place to start if you want to upgrade your system to improve performance for both Premiere Pro and After Effects.

Upgrade Premiere Pro system in this order of priority:

  1. Add more RAM – up to 128GB if the motherboard supports it (especially for long-form content) 
  2. A faster GPU – or additional GPUs for faster export and rendering with Premiere Pro
  3. For storage: Faster (or additional) SSD or NVMe drives
  4. CPU with a faster clock speed

Upgrade your system for After Effects 22.0 or later in this order of priority:

  1. A CPU with 32 cores will maximize the advantages of Multi-Frame Rendering.
  2. Add more RAM – 128GB or more, depending on the use case.
  3. Add faster SSD or NVMe drives or faster connection for shared storage.
  4. Faster GPU with more than 8GB of VRAM.

Frequently asked questions

Export times are impacted both by your graphics hardware and your workflow. A second GPU (same class GPU as the primary GPU) can provide substantial speed increases for export. Creating previews during your edit can also accelerate export times.

Assuming you have a sound system, performance for multicam workflows depends more on your project setup than your hardware. Expert users create their project templates to standardize their setup.

A calibrated reference monitor connected through external transmit hardware is highly recommended for accurate display of interlaced and color critical content. Proper monitoring of HDR content requires an HDR-capable external display.

This is a matter of personal preference. Because the timeline is a central element in the Premiere Pro UI, an ultra wide 37” display combined with a second reference monitor is an excellent option.

Simultaneous monitoring of multi-channel audio requires a multi-channel sound card. On Windows the sound card should be ASIO-capable.

Your workflow, and how you decide to work with file formats, can have a significant impact on overall performance. Our best practices guide for working with native formats has suggestions for designing your workflow to ensure optimal performance with your hardware.

Additional resources

Recommended configurations

 Adobe

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